is two guys collaborating to write on writing and collaboration.
In 1951 The Catcher in the Rye was published. James Stewart, Spencer Tracey, William Holden and Louis Calhern lost out on the Best Actor Oscar to Jose Ferrer, winning for Cyarno de Bergerac [note: a story in the public domain]. Seoul fell to communists. The Rosenbergs were sentenced to death for treason. The first color television was introduced into the states, and the UNIVAC I mainframe computer was announced—the next year it became famous for successfully predicting the outcome of the US presidential election. Johnnie Ray released “Cry,” possibly the first rock n’ roll record. Leo Fender patented his Fender Esquire (later Telecaster) guitar, and Alfred Bester’s novel The Demolished Man was published.
Why the history lesson? Whenever I look at a historical event—like the publishing of a book—I like to put it into context. All of the events I mentioned, when I think about them, firmly place me in the beginning of the 50s. You can see the decade unfurling in front of you—cold war, literature, music. But Bester kind of existed outside of time, it would seem. Reading this novel gives you very few clues to it’s publishing date.
Shockah lent me the two Alfred Bester books he talked about recently since I had never read them, and I was terrifically impressed. This may be old hat to some of you—Oh, sure, Bester. I covered him in Sci-Fi 101—but everybody has gaps in their knowledge in some ways, and obviously Bester was mine.
What Bester does so magnificiently is to capture language. His multiple written puns for names, as mentioned by Shockah, include @kins, ¼mane, Wyg&. His conceits—that there are people who can read each others thoughts—are not clumsy concepts, but deeply thought out systems that take into account humans and how we departmentalize and organize.
So his psychics have a rigidly hierarchical society, with different grades depending on talent and ability. The higher abilities have tremendous wealth and power—so, necessarily, politics plays a large roll in their choices and actions. He never loses site of the human frailties within these bureaucracies.
Like Shockah I don’t want to give anything away, but again I would like to impress how this is a novel that it is nearly impossible to place the time period that it was written. Only one thing gives it away, and that is the way that Bester handled his women. They are extensions of 50s women, and carry the cultural assumptions from that period—and not women who had gone through the three decades that followed, with the huge cultural shifts that happened. Even some characters sexual liberation was born out of a society of subordinate social roles, and not out of an independence movement, and the social gains and complexities that arose from it. This is a quibble insomuch as the women didn’t read as well to me, but I’m not implying that Bester should have known better—and this is only a minor point in an otherwise brilliant book. Only one female character didn’t read like that to me—Wyg&, who seemed much more contemporary.
So for those of you, like me, who have somehow missed this book—you get both of us pitching it with high recommendations. It’ll keep you guessing, and wanting to set aside everything else so you can read it.
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Spitball! is two guys collaborating to write about writing and collaboration. We're writing partners who have worked together since 2000, and placed in the top 100 in the last Project Greenlight for our script YELLOW.
Currently, we are both working on multiple screenplay, short story, and novel ideas independently and together, and collaborate on this blog.
Spitball! started as an attempt to collaborate on a screenplay online in real time. From January 2006 to July 2007 we worked on an interactive process to decide the story we were going to make. A full postmortem is coming, but you can find the find all the posts by looking in the category Original Version.
During this period, we affected the personalities of two of the most famous spitball pitchers from the early 20th Century. Look at our brief bios for more info about this, and so as not to be confused as to who is talking when.
We rebooted the franchise in early 2009 in its current form.
Our Twitter account, where we note when longer articles are posted. While we're at it, here's Kent and Martin's Twitter accounts.

Kent M. Beeson (aka Urban Shockah) is a stay-at-home dad and stay-at-home writer, living in Seattle, WA with his wife, 2 year old daughter and an insane cat. In 2007, he was a contributor to the film blog ScreenGrab, where he presciently suggested Jackie Earle Haley to play Rorschach in the Watchmen movie, and in 2008, he wrote a film column for the comic-book site ComiXology called The Watchman. (He's a big fan of the book, if you couldn't tell.) In 2009, he gave up the thrill of freelance writing to focus on screenplays and novels, although he sometimes posts to his blog This Can't End Well, which a continuation of his first blog, he loved him some movies. He's a Pisces, and his favorite movie of all time is Jaws. Coincidence? I think not.
Martin (aka Burley Grymz) is a designer and writer. He occasionally blogs at his beloved Hellbox, and keeps a longer ostensibly more interesting bio over here at his eponymous website. You can also find him on Twitter.