is two guys collaborating to write on writing and collaboration.
a. How do you end it? You can’t kill the mitochondria, who—over billions of years—have formed a complex relationship with the human hosts. What’s the end game? Is it just acceptance of the situation? Is that a dramatic enough story arc? Do the humans escape the Earth? Can they live without the tiny species?
Well, to be fair, I didn’t get a chance to end it. To be more fair, I wasn’t even sure myself (although I have an inkling), but I thought I’d get through it one way or another in the second post.
b. How do you visually represent the relationship with the tiny consciousness? Some might argue that this is what the Blob was doing in metaphor (actually, I may be the first person to suggest that, but I kind of am suggesting that), but I am thinking that this would be a big hurdle in the making of this movie. There can be tricks or representing the microscopic beings as a human that nobody else can see, but this would be a hurdle towards making this a reality.
Again, much like the autism thing, I’d much rather commit and accept the storytelling challenge then try and think and come up with the answer in an abstract way before proceeding. But I can’t really blame you if you can’t commit.
I guess it’s a little ironic—we seem to have switched position on this particular story. You’re starting broad and getting more specific, but I want specifics first and then go broad.
Which is difficult, for me, for this story (and a few others), because what they spark in me isn’t specifics. Rachel was the same way — what sparked an interest in me wasn’t anything specific, but a mood, a feeling, a vague concept, and when I tried to get specific… well, you know what happened.
I want this story to be about how in a superstitious society, one person sees things differently and, using the powers of observation and reason, figures out that things aren’t as they seem despite the dogma. I want it as a metaphor for the early (early, as in, 2005) scientists working against the ignorance of the church.
I’m sympathetic to that concept. The only problem was that the specifics you suggested were, ultimately, too Twilight Zone for me. It was ultimately just a “gotcha” story. (Nothing wrong with Twilight Zone, really, but after all the “Scary Door” parodies on Futurama, it’s kinda been ruined for me.)
So, I’ll leave this next part up to you. Should I:
a) Write the proposed second part of my Atheist story sketch? (Could be hard, since it’s gone a bit cold for me. Also, I don’t expect it to change your mind any.)
b) Write a version of the Atheist that uses the alien planet? (I’m still pretty opposed to the alien planet, but maybe that severe conflict will push me to, uh, alien places.)
c) Start writing a post on tabling procedures?
And of course, there’s always the vote.
Comments (0) — Category: the screenplay
Spitball! is two guys collaborating to write about writing and collaboration. We're writing partners who have worked together since 2000, and placed in the top 100 in the last Project Greenlight for our script YELLOW.
Currently, we are both working on multiple screenplay, short story, and novel ideas independently and together, and collaborate on this blog.
Spitball! started as an attempt to collaborate on a screenplay online in real time. From January 2006 to July 2007 we worked on an interactive process to decide the story we were going to make. A full postmortem is coming, but you can find the find all the posts by looking in the category Original Version.
During this period, we affected the personalities of two of the most famous spitball pitchers from the early 20th Century. Look at our brief bios for more info about this, and so as not to be confused as to who is talking when.
We rebooted the franchise in early 2009 in its current form.
Our Twitter account, where we note when longer articles are posted. While we're at it, here's Kent and Martin's Twitter accounts.

Kent M. Beeson (aka Urban Shockah) is a stay-at-home dad and stay-at-home writer, living in Seattle, WA with his wife, 2 year old daughter and an insane cat. In 2007, he was a contributor to the film blog ScreenGrab, where he presciently suggested Jackie Earle Haley to play Rorschach in the Watchmen movie, and in 2008, he wrote a film column for the comic-book site ComiXology called The Watchman. (He's a big fan of the book, if you couldn't tell.) In 2009, he gave up the thrill of freelance writing to focus on screenplays and novels, although he sometimes posts to his blog This Can't End Well, which a continuation of his first blog, he loved him some movies. He's a Pisces, and his favorite movie of all time is Jaws. Coincidence? I think not.
Martin (aka Burley Grymz) is a designer and writer. He occasionally blogs at his beloved Hellbox, and keeps a longer ostensibly more interesting bio over here at his eponymous website. You can also find him on Twitter.