is two guys collaborating to write on writing and collaboration.
So consider this the first shot across the bow of the U.S.S. Time To Die.
Note the First: Consider the following to be the equivalent of a four-track demo. Just a laying down of ideas that will get changed, fleshed-out, and more-or-less prettified by the time of their official debut. Despite the seeming completeness of the treatment (and the fact that I like it quite a bit), nothing here is sacred. If something isn’t clicking with one of us, it will be replaced with something that clicks for both of us.
Note the Second: These aren’t scenes. Something straightforward like “September finds a mass grave of charred bones” could take up fifteen seconds of screen time or ten minutes (assuming you are, in fact, Bela Tarr). It’s just a “story unit”, a piece of information that’s required for the story to make some sort of sense. And, despite the number of story points provided here, I don’t consider this complete.
Note the Third: The general approach here is looking at the story from the protagonist’s POV, which particular emphasis on what makes achieving her goals difficult. The final story will present all the characters as independent movers, with goals, subplots, quirks, etc. However, this entry just isn’t the place for those things. I expect that we will write different versions of this treatment from the POV of different characters later in the process.
Note the Fourth: More specifically, this story happens with a prison riot in the background. It’s assumed that there is a back-and-forth power struggle between the guards and the prisoners that isn’t resolved until the end. The treatment doesn’t go into the specific actions by each party — I figure that’s for later. Related to this: Burley and I never decided the exact nature of the prison (an entire planet? Just a part? Enclosed? Or free-roaming prisoners?), and while the treatment is arranged around the vague idea of “this part is enclosed prison, this part is not”, I’d like to think what’s here is malleable enough to encompass whatever we decide the prison actually is.
Note the Final: Readers — this is your chance to really have some say on the story. Don’t like something I’ve suggested here? Think it’s too obvious, too stupid, too something? Let us know.
Time to Die: A Bare Bones Treatment
The Cast So Far
September Rose St. Germain, protagonist, director of marketing at Tangenilent and martial arts enthusiast
James Crowley Okkervil, imprisoned murderer and charismatic leader
Rand Bejar, prison warden and poet
“Preach”, good friend of Okkervil and wasting away in solitary
Guy St. Germain, prison guard and dead body
Dr. Westfall, prison doctor and pioneer in the use of the revivication serum
The Story Points
Comments (0) — Category: the screenplay
Spitball! is two guys collaborating to write about writing and collaboration. We're writing partners who have worked together since 2000, and placed in the top 100 in the last Project Greenlight for our script YELLOW.
Currently, we are both working on multiple screenplay, short story, and novel ideas independently and together, and collaborate on this blog.
Spitball! started as an attempt to collaborate on a screenplay online in real time. From January 2006 to July 2007 we worked on an interactive process to decide the story we were going to make. A full postmortem is coming, but you can find the find all the posts by looking in the category Original Version.
During this period, we affected the personalities of two of the most famous spitball pitchers from the early 20th Century. Look at our brief bios for more info about this, and so as not to be confused as to who is talking when.
We rebooted the franchise in early 2009 in its current form.
Our Twitter account, where we note when longer articles are posted. While we're at it, here's Kent and Martin's Twitter accounts.

Kent M. Beeson (aka Urban Shockah) is a stay-at-home dad and stay-at-home writer, living in Seattle, WA with his wife, 2 year old daughter and an insane cat. In 2007, he was a contributor to the film blog ScreenGrab, where he presciently suggested Jackie Earle Haley to play Rorschach in the Watchmen movie, and in 2008, he wrote a film column for the comic-book site ComiXology called The Watchman. (He's a big fan of the book, if you couldn't tell.) In 2009, he gave up the thrill of freelance writing to focus on screenplays and novels, although he sometimes posts to his blog This Can't End Well, which a continuation of his first blog, he loved him some movies. He's a Pisces, and his favorite movie of all time is Jaws. Coincidence? I think not.
Martin (aka Burley Grymz) is a designer and writer. He occasionally blogs at his beloved Hellbox, and keeps a longer ostensibly more interesting bio over here at his eponymous website. You can also find him on Twitter.