is two guys collaborating to write on writing and collaboration.
Before she was a MacArthur Genius, Heather McHugh was Stranger Literature Genius. Other past literature geniuses have included Sherman Alexie, Jonathan Raban and Rebecca Brown. I mention this only to say that The Stranger is damn good at picking geniuses.
I’m not familiar with Ms. Levine’s work, but with a recommendation this high, I’m certain to pick up her book now.
From the Sunday New York Times, Arthur Krystal asks if writers should be good conversationalists.
Like most writers, I seem to be smarter in print than in person. In fact, I am smarter when I’m writing. I don’t claim this merely because there is usually no one around to observe the false starts and groan-inducing sentences that make a mockery of my presumed intelligence, but because when the work is going well, I’m expressing opinions that I’ve never uttered in conversation and that otherwise might never occur to me.
This reminds me of the old William Zinsser quote “Writing is Thinking.”
My personal experience has been that writing takes very different muscles than good conversation. Focusing on the former, sadly, has meant that the latter is under-exercised.
But I want to be a good conversationalist, so I work at it. The difference is in intention. Being a good conversationalist means listening more than talking. It means asking a person to draw out their stories, and when you share yours you are sharing them in relation to theirs. Disjointed conversations talk over each other. Good conversations feel fluid and connected.
I rarely know what I will say when I talk, I follow the flow of conversation. I occasionally know generally where I’ll go when I write, but never exactly how I’ll get there. When talking, what I say will have to be enough. When I write, it will be reworked and analyzed until it conveys exactly what I want as clearly as possible.
Spitball! is two guys collaborating to write about writing and collaboration. We're writing partners who have worked together since 2000, and placed in the top 100 in the last Project Greenlight for our script YELLOW.
Currently, we are both working on multiple screenplay, short story, and novel ideas independently and together, and collaborate on this blog.
Spitball! started as an attempt to collaborate on a screenplay online in real time. From January 2006 to July 2007 we worked on an interactive process to decide the story we were going to make. A full postmortem is coming, but you can find the find all the posts by looking in the category Original Version.
During this period, we affected the personalities of two of the most famous spitball pitchers from the early 20th Century. Look at our brief bios for more info about this, and so as not to be confused as to who is talking when.
We rebooted the franchise in early 2009 in its current form.
Our Twitter account, where we note when longer articles are posted. While we're at it, here's Kent and Martin's Twitter accounts.

Kent M. Beeson (aka Urban Shockah) is a stay-at-home dad and stay-at-home writer, living in Seattle, WA with his wife, 2 year old daughter and an insane cat. In 2007, he was a contributor to the film blog ScreenGrab, where he presciently suggested Jackie Earle Haley to play Rorschach in the Watchmen movie, and in 2008, he wrote a film column for the comic-book site ComiXology called The Watchman. (He's a big fan of the book, if you couldn't tell.) In 2009, he gave up the thrill of freelance writing to focus on screenplays and novels, although he sometimes posts to his blog This Can't End Well, which a continuation of his first blog, he loved him some movies. He's a Pisces, and his favorite movie of all time is Jaws. Coincidence? I think not.
Martin (aka Burley Grymz) is a designer and writer. He occasionally blogs at his beloved Hellbox, and keeps a longer ostensibly more interesting bio over here at his eponymous website. You can also find him on Twitter.